Na at-x 100mm F/28 Pro D Macro Lens Review
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Tokina 100mm f/2.8
AT-Ten PRO 1:1 Macro (2006-2019)
© KenRockwell.com. All rights reserved.
How to Shoot Macro Best Macro Lenses Compared
Intro Specs Operation Usage Compared Recommendations
Tokina 100mm f/2.8 (55mm filters, 18.1 oz./513g, 1:1 shut focus, $379 new for Canon or about $150~300 used for Nikon, Canon or MAXXUM (Sony A) if yous know How to Win at eBay. enlarge.
This all-content, junk-free website'southward biggest source of support is when yous utilize those or any of these links to canonical sources when you go anything, regardless of the country in which you lot alive. Thanks for helping me help you! Ken.
May 2020 More Tokina Reviews All reviews
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| Eyes: |  |
| Mechanics: |  |
| Ergonomics: | |
| Usefulness: | |
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| Overall: | |
Ideal Uses: Perfect for utilise on FX digital, DX digital and 35mm both every bit a defended macro lens, and as a general-purpose short, fast tele for everything from sports to portraits and landscapes.
Not for: Won't autofocus with the cheapest D40, D40x, D60, D3000, D3100 or D5000.
Introduction top
Intro Specs Performance Usage Compared Recommendations
Formats and Versions Compatibility
This Tokina 100mm f/2.8 Macro is a fantastic lens.
It's optical performance is every bit good or better than the best from Nikon and Canon, and this Tokina's ergonomics, due to its unique focus clutch, is besides better than whatever of Nikon'south or Catechism's 100mm or 105mm macro lenses.
All this, and this Tokina is less than one-half the price, only as well built, and smaller and lighter than whatsoever other 100mm or 105mm AF macro. Go get one!
I'd get my Tokina 100mm Macro new at B&H for Canon or used at eBay for Nikon, Canon or MAXXUM (Sony A) if you lot know How to Win at eBay.
Formats and Versions intro top
This Tokina 100mm f/2.eight comes in in both Nikon and Catechism EOS mounts. I am addressing the Nikon mountain version here; you may brand the usual extrapolations for Canon.
This is a full-frame (FX) lens. I will be testing information technology every bit such, every bit well as for DX.
Compatibility intro tiptop
This is an FX lens, and works specially well with on FX, 35mm and DX Nikons like the D7000, D700, D3X, D300s and F6. It works fantastically on manual-focus cameras like the F2AS, F3, FE and FA, since it has existent manual-focus and discontinuity rings that piece of work exactly as they should.
It works not bad on Nikon'south latest D600 and D800E.
The Nikon version 100mm f/ii.eight AF works smashing with almost every moving picture and digital Nikon photographic camera made since 1977. Y'all'll need to figure out a way to add a meter coupling prong for use with Nikons fabricated from 1959-1976, if you want meter coupling.
The merely incompatibility is that information technology will not autofocus with the cheapest D40, D40x, D60, D3000, D3100 or D5000, but if you focus manually, everything else works not bad. These cameras have in-finder focus confirmation dots to help you.
See Nikon Lens Compatibility for details on your photographic camera. Read down the "AF, AF-D (screw)" cavalcade for this lens.
Warning: as a non-Nikon lens, in that location is never any guarantee that this Tokina lens volition always piece of work perfectly with every possible camera. I've only used information technology on the D3 and D7000. In that location is always the potential for it not to work on some models of camera, today or newer models in the future. This is the one chance y'all take with non-Nikon lenses.
Tokina 100mm f/two.8 AF. overstate.
Specifications peak
Intro Specs Performance Usage Compared Recommendations
I'd go my Tokina 100mm Macro new at B&H for Canon or used at eBay for Nikon, Catechism or MAXXUM (Sony A) if you know How to Win at eBay.
Name specs height
Tokina calls this the Tokina AT-X PRO 100mm F2.8 D Macro.
AT-X: Avant-garde Engineering science-sex.
PRO: Tokina's designation for its lenses with its brilliant AF-MF focus clutch.
D: The lens tells the camera the distance to the subject, which helps the exposure meter, specially with on-camera flash.
Eyes specs top
Tokina 100mm f/ii.8 Macro internal construction.
nine elements in 8 groups.
Floating elements for perfect operation as you focus at whatsoever distance.
Multicoated.
Diaphragm specs acme
Tokina 100mm f/ii.eight at f/5.six. enlarge.
nine blades, generally straight.
Stops downwardly to f/32 at infinity, f/64 at 1:ane.
Plastic discontinuity ring with full-stop clicks.
Coverage top
35mm picture, FX and DX.
Focal Length top
100mm.
When used on a DX camera, it gives angles of view like to what a 150mm lens gives when used on an FX or 35mm camera.
Focus Limiter specs meridian
Controls, Tokina 100mm f/2.8. enlarge.
A rotary switch allows you lot to preclude the Tokina 100 2.8 from focusing through 1:2.
Shut Focus specs top
1 foot (0.3m), marked.
Working Distance specs summit
4.5" (115mm), measured.
Maximum Reproduction Ratio specs top
Tokina 100mm f/2.8 at 1:ane. enlarge.
1:i, life-size.
As yous focus more closely, the inner barrel extends.
Difficult Infinity Focus Stop? specs top
No.
It focuses a little by infinity, so y'all accept to let the AF arrangement focus for infinity.
Focus Calibration specs top
Yes.
Depth-of-Field Scale specs top
Focus window, Tokina 100 2.eight Macro.
Not really. Run into the 2 dots? Those are for f/16 and f/32, so skillful luck making any use of it. The dots don't mean f/11 and f/eight, sorry.
Infra-Crimson Focus Index specs elevation
No.
Discontinuity Band specs summit
Yes, plastic.
Total-stop clicks.
Filter Thread specs height
55mm, plastic.
Does non rotate, only does move in and out as focused.
Tripod Collar specs top
No.
Size specs top
Tokina specifies 3.74" (95.1mm) long by 2.9" (73mm) diameter.
Weight specs top
xviii.080 oz. (512.6g), measured.
Tokina specifies nineteen.0 oz. (540g).
Hood specs peak
Tokina 100mm f/2.viii, capped with reversed hood. bigger.
BH-551 plastic bayonet, included.
Case specs top
None.
Fabricated in specs top
Nihon.
Packaging specs height
Box, Tokina 100mm f/2.viii Macro.
Single-wall cardboard box, sleeky printed.
Folded corrugated cardboard formers within. Lens in articulate plastic bag inside paper-thin.
Paperwork on elevation of paper-thin, just under box cover.
Introduced specs top
2006.
Tokina Production Number specs top
AT-X M100 PRO D
Cost, U.s.a. specs top
$379 new for Catechism or about $150~300 used for Nikon, Catechism or MAXXUM (Sony A), May 2020.
$349, Nov 2017 - April 2018.
$379, Apr 2015~June 2016.
$460, June 2013.
$490, October 2012.
$450, July 2011.
$400, November 2010.
Performance acme
Intro Specs Functioning Usage Compared Recommendations
Overall Automobile and Transmission Focus Bokeh Color Coma Distortion
Ergonomics Eyeblow Falloff Filters Focus Breathing
Color Fringes Macro Maximum Aperture Mechanics
Sharpness Spherochromatism Sunstars Survivability
I'd become my Tokina 100mm Macro new at B&H for Catechism or used at eBay for Nikon, Canon or MAXXUM (Sony A) if you lot know How to Win at eBay.
Overall performance superlative
The Tokina 100mm f/two.8 AF is one of the very best lenses I've ever tested.
Not only are its eyes perfect, so are its ergonomics. This FX and DX lens is both sharper and handles better than Nikon's made-in-People's republic of china, DX-only 85mm f/iii.5 VR, which costs more!
This Tokina is a winner, and one of the sharpest lenses I've ever put on any camera, at any altitude including infinity.
Auto and Manual Focus performance height
AF Speed
Autofocus is very fast for normal uses. This Tokina focuses much more quickly than Nikon'southward newest 85mm f/1.4G on an F5, for instance, but the new Nikon 85/1.iv is designed for high-precision more than speed.
In the macro range, use transmission focus for your ain sanity. Autofocus is reasonably fast, just it's much more than sensible to plough the ring yourself than to take your camera hunting all over.
1 total turn (2 one-half-turns) of the AF spiral pulls focus from infinity downward to seven feet.
AF Accuracy
AF is ever consistent. Some cameras may need a little fleck of AF fine-tuning. My D3 was best at +7, while my D7000 was best at about +10. Every sample of lens and camera volition vary.
Manual Focus
Manual focus is beautiful!
Information technology's smooth and perfectly geared for the best possible combination of speed and precision.
Bokeh performance top
Bokeh varies with distance. Bokeh is generally wonderful.
Bokeh is the grapheme of out of focus areas, not simply how far out of focus they are.
Ryan on 25-year-quondam Kodachrome 64 in November 2010. Shot on a Nikon F5, Tokina 100mm f/ii.8 and SB-600, 1/125 at f/v.6, unproblematic color correction with a curves layer. bigger or Original © Scan. EXIF data, frame 25. Dwayne'due south procedure and browse.
Colour Rendition functioning meridian
I don't notice any different color rendition from my NIKKOR lenses.
Coma performance pinnacle
I come across no coma.
Coma would exist weird smeared blobs that announced around vivid points of light in the corners. Run across also sagittal blackout flare.
Distortion operation superlative
The Tokina 100mm f/2.eight AF has no visible distortion.
These figures may reduce it even further for critical photogrammetric utilise past plugging these into Photoshop'south lens distortion filter, however, fifty-fifty as of CS5 I don't come across that Photoshop tin work with figures this low. This lens is likewise good! These aren't facts or specifications, they are the results of my research that requires hours of photography and calculations on the resulting data.
| FX and Film | DX | |
| ∞ | +0.3 | 0.0 |
| ten' (3m) | +0.25 | 0.0 |
| 1:x | 0.0 | |
| i:two | 0.0 | |
| i:ane | 0.0 |
© 2010 KenRockwell.com. All rights reserved.
Ergonomics performance top
Tokina 100mm f/2.viii AF. overstate.
Ergonomics are perfect, improve than whatsoever Nikon AF Micro lens.
In AF, turning the big, fat focus ring does nothing, then you can go a skilful, solid grip on it without affecting AF. Naught moves on the barrel every bit it autofocuses, except for the forebarrel moving in and out.
To get manual focus, simply pull the focus ring towards you, and it clicks into transmission focus mode. Now turn the big, silky-smooth safe-covered metal focus ring for like shooting fish in a barrel manual focus.
Nikon's transmission focus 105mm Micros, the 105/4 AI and today's 105/2.8 AI-s are good, but only transmission focus. Nikon's 105/4 has a built-in hood.
Nikon's 105mm f/2.8 AF Micro is an ergonomic nightmare: you lot have to release a lock and rotate a band to get the manual focus ring to respond.
Nikon'southward newest made-in-China 105mm VR is too no picnic: if you turn the focus ring past accident, which is easy to do because that'south how you hold the lens, you accidentally become into manual focus mode.
By comparison, and all by itself, Tokina'due south focus clutch mechanism is brilliant. I wish my Nikon lenses were this good.
As if the focusing wasn't enough to brand me love this lens, did you notice the rubber ring at the rear of the lens? It doesn't turn: it's the catch ring for mounting and unmounting. Bella!
Eyeblow performance top
As the 100mm f/2.8 AF-S is focused in and out, very little air pumps in and out of the rear of the lens, thus I can't detect any air blowing out of my eyepiece.
Falloff (darkened corners) performance top
Falloff on FX is minimal, much ameliorate than NIkon's 105mm f/two.8 VR!
It volition be even less of an issue on DX (see crop factor).
I've exaggerated this by shooting a gray field and placing these on a gray background.
Tokina 100mm f/2.8 AF falloff on FX and picture show, no correction.
| Maximum | f/4 | f/5.6 | |
| ∞ |  |  |  |
| 1:iv |  |  |  |
| ane:two | only opens to f/4.2 -> |  |  |
| 1:i | simply opens to f/5.half-dozen -> |  |
© 2010 KenRockwell.com. All rights reserved.
Filters, Use with operation summit
The plastic filter ring never rotates, just information technology does motility in and out with focus.
At that place is no problem with vignetting, fifty-fifty with stacks of several thick 55mm filters on FX.
On DX, I can't see how you could get any vignetting, fifty-fifty with a dozen stacked 55mm filters.
On Nikon, I'd employ a 55->52mm step-downward ring for sanity'south sake. I also can employ several stacked 52mm filters on FX without vignetting.
Skillful times!
Focus Breathing performance top
Of interest generally to cinematographers focusing back and forth between two subjects, for example, a couple having a conversation, the image from the Tokina 100 ii.8 macro gets slightly larger as focused more closely.
Lateral Colour Fringes performance top
There are no lateral color fringes on the D3 or the D7000, which correct them automatically.
Macro functioning top
Macro works great; this is a macro lens.
i:1 ways the image is life-sized, or that you tin brand something simply an inch across fill your picture.
Maximum Discontinuity functioning top
Every bit one focuses more closely, the maximum aperture diminishes due to the greater magnification.
Nikon AF cameras calculate all this automatically, only information technology often will throw off some users who can't understand why they can't get f/2.8 as they focus more than closely.
| Maximum | Minimum | |
| ∞ | f/2.viii | f/32 |
| half dozen' (2m) | f/iii | f/36 |
| 1:x | f/3.ii | f/36 |
| 1:6 | f/3.3 | f/40 |
| 1:v | f/3.5 | f/40 |
| 1:3.v | f/3.eight | f/45 |
| 1:3 | f/four | f/45 |
| 1:2 | f/4.2 | f/51 |
| one:1.8 | f/iv.5 | f/51 |
| 1:ane.5 | f/4.eight | f/57 |
| 1:1.iv | f/5 | f/57 |
| 1:1.2 | f/5.3 | f/64 |
| 1:i | f/5.6 | f/64 |
Mechanics functioning tiptop
Rear, Tokina 100mm f/2.8 Macro. enlarge.
This Tokina is a tough, well-made lens.
Filter Threads
Plastic.
Hood
Plastic bayonet.
Hood Bayonet
Plastic.
Fore Butt
Metal.
Focus Ring
Metal; safety covered.
Focus Limiter Switch
Plastic.
Mid and Aft Barrel Exterior
Plastic.
Internals
Seem like metallic and plastic.
Aperture Ring
Plastic with painted numbers.
Mountain
Calorie-free-aureate-colored metal. Mounts almost also as Nikon'due south mounts.
Markings
Paint.
Identity Plate
Black and gilt debossed plate, with clear plastic window for focus calibration.
Serial Number
Lesser, Tokina 100mm f/ii.8 Macro. enlarge.
Serial number on sticker on lesser rear of barrel
Ass-Gasket (pelting seal at mountain)
No.
Noises When Shaken
Mild clicking from the diaphragm blades and actuation organisation.
Made in
Japan.
Sharpness performance top
Warning 1: Epitome sharpness depends more on you than your lens.
Warning 2: Lens sharpness doesn't mean much to proficient photographers.
The Tokina 100mm f/ii.8 Macro is as sharp as any lens I've ever tested. If you lot're splitting pixels, it'southward sharper than Nikon's own 85mm f/3.5 DX VR, which costs more.
It'south completely sharp and contrast at every aperture, everywhere in the field of both FX 12MP D3 and DX 16MP D7000. Information technology's as abrupt equally Nikon'due south 105mm f/2.8 VR and 105mm f/2.8 AF-D. Any of these three lenses will permit yous get the all-time of Nikon's best D3X or D7000.
At the tiniest apertures, of class diffraction limits functioning. With a lens this proficient, f/5.6 is the sharpest aperture, and by f/viii, diffraction is already limiting sharpness, presuming you have a perfectly flat and perfectly in-focus subject.
Here's a photo of my neighbor's lawn furniture:
and here's a ingather at 100% from a 16MP DX image from a Nikon D7000:
This is shot wide-open at f/2.8!
If you lot enlarged the entire image at this same calibration every bit seen on a standard (100DPI) monitor, you lot'd exist looking at about a 50 x 33" (125 ten 85cm) gallery print.
Hither'south a macro shot on FX:
Photo of Nikon 200mm f/4D AF Micro-NIKKOR. original © i.3 MB file.
This shot was made at f/25 under studio strobes. Here is the original file.
Why f/25 if sharpness goes downwards from f/8? Simple: f/8 but counts for apartment subjects, as used in meaningless tests. As soon as y'all add depth, equally in a existent bailiwick worth photographing, you have to cease down. See Selecting the Sharpest Discontinuity. For about macro piece of work, f/32 is standard, since nothing real is ever flat enough at close range.
Also, f/25 is what I demand with 500 Watt-seconds of Novatron strobe at ISO 200.
MTF at f/2.8.
Spherochromatism performance peak
This Tokina shows merely a tiny bit of spherochromatism.
Out-of-focus background highlights tin can take on slight dark-green color fringes, and foreground highlights can accept on very small magenta color fringes. Laypeople sometimes mistakenly call spherochromatism "color bokeh."
Sunstars functioning tiptop
Sunstar, crop from 100% D7000 image at f/8.
With its more often than not straight ix-bladed diaphragm, this Tokina 100 two.8 can make cracking eighteen -pointed sunstars on bright points of lite.
This is much better than anything from Canon or Nikon.
Nikon uses either 7-blades, or rounds their 9-bladed diaphragms which won't brand sunstars.
Canon's uses 8 blades, giving only hokey viii-pointed stars, or 9 rounded blades, which won't practise much for sunstars, like Nikon'due south newest VR lens.
Survivability operation peak
The Tokina 100mm f/2.8 Macro seems pretty tough, and then long as you lot don't bash the front of the lens.
If you hitting the front of the lens, since it is what has to movement in and out precisely as focused, you could harm the focus organisation.
Usage top
Intro Specs Performance Usage Compared Recommendations
I'd become my Tokina 100mm Macro new at B&H for Catechism or used at eBay for Nikon, Catechism or MAXXUM (Sony A) if you know How to Win at eBay.
Reverse from a cruise control on a Mercedes, push the focus band abroad from you lot for autofocus, and pull it toward you for manual focus. Leave your photographic camera set up to autofocus.
For transmission-focus lock, set your photographic camera to manual focus, and button the band to autofocus. This disconnects the focus band, then focus stays fixed.
Use the focus limiter all the fourth dimension, which merely locks-out the range from 1:2 to 1:1, which no i ever uses, simply takes upward half the length of the focus scale. Few macro shooters every demand to get this close, and if you do, turn off the limiter.
There is no need for a hood; the front element is well inset at every focus distance.
The focus limiter prevents the lens from turning past the one:2 setting halfway along the focus scale. Therefore it either limits focus to go between infinity and i:2 (0.six meters), or between 1:2 and 1:one (0.half-dozen to 0.3 meters).
Compared top
Intro Specs Performance Usage Compared Recommendations
I'd get my Tokina 100mm Macro new at B&H for Catechism or used at eBay for Nikon, Canon or MAXXUM (Sony A) if you know How to Win at eBay.
See also All-time Macro Lenses Compared.
I compared it directly to the Nikon 85mm f/3.v DX, and this Tokina is sharper.
Otherwise, all 100mm and 105mm macro lenses are the sharpest and least distorting lenses you can become; I wouldn't sweat any optical differences among these. They are all superb.
If you lot must carve up hairs, this Tokina has superior ergonomics to any other autofocus lens hither because of its brilliant one-touch focus clutch.
This Tokina has superior optics because it generates superior 18-indicate sunstars, which these other lenses can't do, or don't do well.
This Tokina is optically superior to Catechism and Nikon's offerings because it has much less lite falloff.
| Tokina | Nikon | Nikon 105/2.viii AI-s | Nikon | Nikon | Canon 100/2.viii Macro | Catechism 100/ii.viii IS Macro | |
| Anno | 2006-today | 1970-1983 | 1983-today | 1990-2007 | 2006-today | 2000-2009 | 2009-today |
| Filter | 55mm | 52mm | 52mm | 52mm | 62mm | 58mm | 67mm |
| Filter | plastic | Metal | Metal | Metallic | plastic | plastic | plastic |
| Length | 95.1mm | 96mm | 83.5mm | 104.5mm | 116mm | 118.2mm | 123mm |
| Barrel | Metallic and plastic | Metallic | Metallic | Plastic and metal | Plastic and metal | plastic | plastic |
| Weight, thou. | 513g | 500g | 510g | 562g | 752g | 584g | 623g |
| Weight, oz. | 18.one oz. | 17.6 oz. | xviii.0 oz. | xix.8 oz. | 26.6 oz. | 20.vi oz. | 22.0 oz. |
| Optics | Ex | Ex | Ex | Ex | Ex | Ex | Ex |
| Blades | ix | seven | 7 | 7 | 9 rounded | 8 | 9 rounded |
| Falloff | minor | none | minor | moderate | moderate | healthy | |
| Working Distance | four.five" | 11" | ix.5" | 5.2" | 6" | 6" | five.2" |
| Working Distance | 115mm | 280mm | 240mm | 133mm | 154mm | 150mm | 133mm |
| Maximum Repro | 1:1 | 1:two | 1:2 | 1:1 | ane:1 | 1:1 | 1:ane |
| Transmission Focus | Push focus ring | E'er | Always | Must motion switch | Instant override | Instant override | Instant override |
| Ergonomics | Ex+ | Ex | Ex | OK | Ex | Ex | Ex |
| Price, eleven/2010 USA* | $400 | $125 used | $150 | $350 | $890 | $520 | $884 |
(To get used prices this skillful, run into How to Win at eBay.)
Recommendations top
Intro Specs Performance Usage Compared Recommendations
See too How to Shoot Macro.
I'd get my Tokina 100mm Macro new at B&H for Canon or used at eBay for Nikon, Canon or MAXXUM (Sony A) if yous know How to Win at eBay.
This Tokina 100mm f/2.eight AF Macro is a keen lens for macro, and especially good for any use as a portrait or telephoto lens. It is probably the all-time 100mm or 105mm macro at that place is, and costs one-half of what other lenses cost.
If you lot want to shoot dedicated macro, 200mm lenses are amend because you get more working distance between your camera and your subject area to make lighting, and your subject area, more than comfortable.
This Tokina's paradigm quality is unsurpassed, and its ergonomics with the push-pull focus clutch are superior to both Catechism's and Nikon's own 100mm and 105mm lenses!
I prefer the eyes of this Tokina to Nikon and Canon, because this Tokina uses the correct ix-bladed diaphragm, where Nikon uses either only 7 blades, or rounds their 9-blade diaphragms which eliminates sunstars. Catechism is completely clueless with their viii-bladed diaphragms, or again attempts to round their 9-bladed diaphragms.
With this Tokina lens, you've got a height-quality lens at a bargain price, and it's built to last. Information technology has the same or better optics than either Catechism or Nikon's lenses, and is smaller, lighter, less expensive, and handles better.
VR and IS are merely sales features in macro lenses. They are handy for mitt-held available light shooting, merely for defended macro shooting, nosotros use strobes, then VR and IS are unneeded.
Deployment
I'd use a 55->52mm step-downwards ring with the Nikon arrangement, or a 55->58mm stride-up band with the Canon system. You desire all your lenses to have the same filter size for sanity's sake.
Using an adapter ring has the added benefit of giving us a metal filter thread. Attach the adapter ring, and treat this lens like it's 52mm (Nikon) or 58mm (Canon) forever.
More Information
Tokina 100mm Macro.
All Tokina Lenses.
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